Super Mario Galaxy Movie

The Super Mario Galaxy Movie Review: Fun Visuals, Hollow Heart

Nintendo’s latest animated blockbuster arrives with a galaxy of colour and chaos — but precious little soul beneath the surface.
4
out of 10
A visually relentless but narratively hollow sequel. The Super Mario Galaxy Movie mistakes motion for storytelling, colour for emotion, and IP cameos for character. A film best appreciated by the very youngest viewers — and perhaps their most patient parents.

The Super Mario Galaxy Movie — the sequel to 2023’s billion-dollar animated hit — arrives in UK cinemas on 4 April 2026 with the promise of bigger worlds, a more ambitious story, and a cast that reads like a Hollywood wish list. On paper, it should be unmissable. In practice, it is one of the most exhausting viewing experiences of the year.


What is The Super Mario Galaxy Movie about?

The story centres on Bowser Jr., who has broken out of boarding school and assembled an army to kidnap Princess Rosalina — revealed here to be Princess Peach’s long-lost sister. His motive is surprisingly emotional: he wants to free his imprisoned father, Bowser, and rebuild the villain fantasy world they once shared as a bedtime story.

On paper, that is a richer premise than the first film managed. But screenwriter Matthew Fogel struggles to hold it together. The narrative splits between three separate threads — Peach and Toad, Mario and Luigi, and Bowser Jr. — each bouncing between locations with the pacing of a pinball machine. Characters from across the Nintendo universe, including Fox McCloud from Star Fox and everyone’s favourite dinosaur Yoshi, are crammed into the margins with little purpose beyond brand recognition.

For fans who enjoy dissecting gaming lore and spotting franchise crossovers, our latest gaming reviews go deep on how well recent releases handle their source material — a bar this film rarely clears.

Is The Super Mario Galaxy Movie visually impressive?

Yes — and also, genuinely, no. Directors Aaron Horvath and Michael Jelenic, returning from the first film, push the colour palette so far into the extreme that individual scenes become difficult to parse. A casino sequence in particular stacks greens, pinks, and blues on top of each other until the frame resembles a child’s overfilled sticker book rather than a cinematic set piece.

“The Super Mario Galaxy Movie mistakes colour for emotion and cameos for character — a relentless parade of stimulus dressed up as cinema.”

There is undeniable craftsmanship in the animation itself, and younger children will likely be dazzled throughout. But for adult viewers, the aesthetic exhaustion sets in quickly, and there is not enough story to compensate for the sensory overload.


How is the cast?

Chris Pratt returns as Mario with a New York accent that does the bare minimum, and Anya Taylor-Joy’s Peach remains cheerily one-note. The genuine highlights of the first film — Charlie Day’s Luigi and Jack Black’s Bowser — are largely sidelined here, their energy wasted in a script that gives them nowhere to go.

Newcomers Brie Larson (Rosalina), Donald Glover (Yoshi), and Glen Powell (Fox McCloud) reportedly pursued their roles out of love for the games. That passion simply does not translate on screen. Every character outside of Mario himself is treated more like a glorified cameo than a proper protagonist. Benny Safdie brings genuine enthusiasm to Bowser Jr., but even he cannot anchor a film this scattered.

It is a pattern that fans of beloved franchises have seen before — much like the mixed response to fans divided over another beloved franchise when the HBO Harry Potter trailer landed last month.


Why does it matter — and what does this mean for UK audiences?

The UK box office is a major market for Nintendo properties, and this film releases alongside the Nintendo Switch 2’s growing momentum in Britain. UK families will inevitably be drawn to cinemas — and for the youngest viewers, the spectacle alone may be enough. But parents hoping for the warmth or wit of a Pixar film will leave disappointed.

The Super Mario Galaxy Movie is the latest in a growing line of animated sequels that prioritise brand extension over storytelling. It will almost certainly make a great deal of money. That does not make it good cinema — and UK audiences deserve to know what they are buying a ticket for.

If you prefer your entertainment brain-teasing rather than brain-numbing, daily puzzle fans can keep sharp with our Wordle answers and puzzle guides updated every morning.


Frequently asked questions

Is The Super Mario Galaxy Movie worth watching in 2026?
For young children, yes — the visuals are relentless and colourful. For adult fans of the games or the first film, it is a significant disappointment. The story is incoherent, the characters are underserved, and the film functions more as a Nintendo advertisement than a genuine cinematic experience.
Who voices the characters in The Super Mario Galaxy Movie?
Chris Pratt returns as Mario, Anya Taylor-Joy as Princess Peach, Charlie Day as Luigi, and Jack Black as Bowser. New additions include Brie Larson as Princess Rosalina, Donald Glover as Yoshi, Glen Powell as Fox McCloud from Star Fox, and Benny Safdie as Bowser Jr.
What is The Super Mario Galaxy Movie rated?
The Super Mario Galaxy Movie carries a U certificate in the UK, making it suitable for all ages. Parents should note that some sequences are visually intense and fast-paced, which may overwhelm very young viewers.
Is The Super Mario Galaxy Movie better than the first film?
No — the general critical consensus, including this review, is that The Super Mario Galaxy Movie is a step back from the 2023 original. While the premise is more emotionally ambitious, the execution is messier, the visuals more overwhelming, and the story less coherent. The first film, for all its flaws, had greater momentum and charm.
References:
1. Mashable — The Super Mario Galaxy Movie review (Kristy Puchko, 3 April 2026)
2. Nintendo official — Super Mario Galaxy Movie press materials, April 2026
Chloe Jones

Chloe Jones is a film and television critic dedicated to providing expert analysis of movies, web series, and the latest in prestige TV. Known for her insightful perspective and deep industry knowledge, Chloe helps audiences navigate the crowded streaming landscape with honesty and expertise.  Folow me on letterboxd

Similar Posts

Leave a Reply

Your email address will not be published. Required fields are marked *